“I saw Sarah Good with the Devil! I saw Goody Osburn with the Devil! I saw Bridget Bishop with the Devil!” –Arthur Miller, The Crucible
Truett Felt and Ryan Quinn in The Crucible (Photo: Ashley Garrett)
Poster with text: Bedlam Presents in Association with The Nore Goody GoodyThe Crucible by Arthur Miller

The Crucible

November 8th–December 29th, 2019

The Connelly Theater
220 E 4th St
New York, NY 10009
Written by Arthur Miller
Directed by Eric Tucker


The Crucible is a 1953 play by American playwright Arthur Miller. It is a dramatized and partially fictionalized story of the Salem witch trials that took place in the Massachusetts Bay Colony during 1692–93. Miller wrote the play as an allegory for McCarthyism, when the United States government persecuted people accused of being communists. Miller was questioned by the House of Representatives’ Committee on Un-American Activities in 1956 and convicted of contempt of Congress for refusing to identify others present at meetings he had attended.


THE CRUCIBLE at The Connelly Theater, NYC Choose from the dates below or Use Calendar



House Seats $59
Our most basic level.


Premium Floor Seats $99
These seats are in the “playing area,” and remain stationary throughout the performance.


Premium Moving Floor Seats $115
An immersive experience. “Moving” audience member’s seats will change throughout the performance, remaining the closest to the action of all available seating.


Wheelchair Accessible Seats $59
Reserved for patrons with disabilities and their companions only, these seats are on the floor-level.



The Crucible at The Connelly Theater, NYC



Arthur Miller (1915-2005) was born in New York City and studied at the University of Michigan. His plays include The Man Who Had All The Luck (1944), All My Sons (1947), Death Of A Salesman (1949), The Crucible (1953), A View From The Bridge and A Memory Of Two Mondays (1955), After The Fall (1964), Incident At Vichy (1964), The Price (1968), The Creation Of The World And Other Business (1972), The Archbishop’s Ceiling (1977), The American Clock (1980) and Playing For Time. Later plays include The Ride Down Mt. Morgan (1991), The Last Yankee (1993), Broken Glass (1994), Mr. Peters’ Connections (1998), Resurrection Blues (2002), and Finishing The Picture (2004). Other works include Focus, a novel (1945); The Misfits, a screenplay (1960), and the texts for In Russia (1969), In the Country (1977), and Chinese Encounters (1979) three books in collaboration with his wife, photographer Inge Morath. Memoirs include Salesman in Beijing (1984) and Timebends, an autobiography (1988). Short fiction includes the collection I Don’t Need You Anymore (1967), the  Homely Girl, a Life (1995) and Presence: Stories (2007). He was awarded the Avery Hopwood Award for Playwriting at University of Michigan in 1936. He twice won the New York Drama Critics Circle Award, received two Emmy awards and three Tony Awards for his plays, as well as a Tony Award for Lifetime Achievement. He also won an Obie award, a BBC Best Play Award, the George Foster Peabody Award, a Gold Medal for Drama from the National Institute of Arts and Letters, the Literary Lion Award from the New York Public Library, the John F. Kennedy Lifetime Achievement Award, and the Algur Meadows Award. He was named Jefferson Lecturer for the National Endowment for the Humanities in 2001. He was awarded the 2002 Prince of Asturias Award for Letters and the 2003 Jerusalem Prize. He received honorary degrees from Oxford University and Harvard University and was awarded the Prix Moliere of the French theatre, the Dorothy and Lillian Gish Lifetime Achievement Award, and the Pulitzer Prize.



Wall Street Journal DIRECTOR OF THE YEAR 2014. Off Broadway: Uncle Romeo Vanya Juliet; Pygmalion; Peter Pan; Vanity Fair; Bedlam’s Sense and Sensibility (Off Broadway Alliance Award, Lortel nom, Best Director, Drama League nom, Best Revival, 4 Helen Hayes awards including Best Director and Best Production); A Midsummer Night’s Dream (Drama League nom Best Revival, WSJ Best Classical Production 2015); Bedlam’s Saint Joan (NY Times/Time Magazine top 10; Off Broadway Alliance Best Revival 2014); Bedlam’s Hamlet (NY Times top 10); Tina Packer’s Women of Will; New York Animals (World Premiere by Steven Sater/Burt Bacharach), Twelfth Night and What You Will (NYTCritics Picks); The Seagull (WSJ Best Classical Production 2014). Other: Caesar and Cleopatra (ASC); The Rivals (BRT); The Merry Wives of Windsor (Two River), Disney’s Beauty & The Beast (OSF); Pericles (APT, WSJ Best Classical Production 2017); Copenhagen (Central Square Theatre), The Two Gentlemen of Verona (HVSF), Mate (The Actors’ Gang). Eric resides in New York City where he is Artistic Director of Bedlam.

Set Design


For Bedlam: The CrucibleSense and Sensibility, PygmalionPeter PanHamletSaint JoanNew York AnimalsThe Seagull, and Dead Dog Park.  For Colt Coeur (company member):  Eureka DayZurichDry LandEverything Is Ours, Cal in Camo, Recall and Fish Eye  Rattlestick Playwrights Theater: twenty-five designs including 3CLadySaved or Destroyed, The Undeniable Sound of Right Now, There Are No More Big Secrets and The Revisionist.  Shakespeare & Company: Time Stands StillCreditors4000 MilesRed VelvetThe Comedy of ErrorsThe TamingSotto VoceUgly Lies the Bone. At Barrington Stage:  If I Forget, Tribespeerless, and Lost in Yonkers. For Berkshire Theater Festival: Outside Mullingar, Frankie and Johnnie in the Clair de LuneExtremities, and Miss Julie. At Dorset Theater Festival: The SceneDear Elizabeth, and Red.  Hudson Valley Shakespeare Festival: Pride and PrejudiceTwelfth NightMacbethMeasure for MeasureAs You Like ItThe Winter’s Tale, and The Arabian Nights.  UMASS/ Amherst graduate and University of Washington MFA. Assistant Professor, Adelphi University, Garden City, Long Island.



Eisenberg/Beans Casting is a fast-paced casting office for theatre, film, television, and new media. Highlights include…Broadway: Gettin’ The Band Back Together. Off-Broadway: Life Sucks, Baghdaddy, Bedlam’s Pygmalion, Not Even The Good Things, and more. Regional/Other: Heartbreak Hotel (Broadway in Chicago), Folger Theatre, Bedlam’s Saint Joan/Hamlet on tour, Dallas Theater Center, New York Theatre Barn. Film: The Latin in Manhattan, Hands That Bind, Lapham Rising, Project Pay Day, The Miseducation of Bindu. TV: Timberwood, Mulligan. New Media: Limetown (Apple Podcasts). Daryl Eisenberg and Ally Beans are both members of Casting Society of America. www.ebcastingco.com  @EBCastingCo.

Costume Design


CHARLOTTE PALMER LANE () For Bedlam: Peter Pan, Pygmalion.  Recent credits: Twelfth Night, Romeo and Juliet, Hamlet, King Lear, Three Musketeers, The Liar, Othello, The Winter’s Tale, An Iliad, As You Like It, Our Town, The General from America (Hudson Valley Shakespeare Festival); Blithe Spirit (Pennsylvania Shakespeare); Rutherford and Son (Mint Theater);Family Reunion, Other Desert Cities, You will Remember Me (Hudson Stage Co.); Camping with Henry and Tom (Barrington Stage Company); God of Carnage (Shakespeare & Co.); As You Like It (Folger Shakespeare Library). Film and TV: BBC, “Doctor Who,” “Miss Marple,” “The Chronicles of Narnia,” Guarding Tess, Quiz Show, “Sneaky Pete.” United Scenic Artists 829. charlottepalmerlane.squarespace.com

Production Stage Manager


Bedlam: Saint JoanHamletTwelfth Night/What You WillSense & Sensibility. New York: The FatherA Doll’s House (Theatre for a New  Audience); Imagining the Imaginary Invalid (Mabou Mines); Perfect Arrangement (Primary Stages); Hit The WallTribes (Barrow Street Theatre); The Playwrights Realm; Atlantic Theatre Co.; LCT3; SoHo Playhouse; Keen Co; La MaMa E.T.C.; The Civilians; Ensemble Studio Theatre. Regional: McCarter Theatre, Folger Theatre, Shakespeare & Co., Oldcastle Theatre    Company. Other: dance and theatre at Bard College, Green Mountain College, East Tennessee State University and St. Andrew’s University.

Assistant Stage Manager


Bedlam: Peter Pan, Sense & Sensibility, The Seagull, New York Animals, Twelfth Night/What You Will. New York: Julius Caesar (Pocket Universe), RadioBABEL (SITI Lab), This Is How…to Dance (SITI Company), Taming of the Shrew (Tale Told). Regional/International: Sense & Sensibility (A.R.T., Bedlam), The Connector (NYSF), Young Playwrights Festival (O’Neill Theater Center), American Blues, The Importance of Being Earnest (Edinburgh Fringe), Thyestes (OYL). Training: SITI Conservatory, National Theater Institute, Vassar College.


Meet the cast

The Crucible at The Connelly Theater, NYC

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Alan Altschuler

Alan is thrilled to be performing in Bedlam’s production of “The Crucible”.  His New York City theater roles include:  Polonius (Hamlet); Baylor (A Lie of the Mind); Oberon (A Midsummer Night’s Dream); Creon (The People vs. Antigone); Pastor Manders (Ghosts); Rick (Bigfoot Stole My Wife); Helge (Festen); The President (Crazy Lady of Chaillot); Serebryakov  (Uncle Vanya); Dr. Dorn (The Seagull); Rev. Samuel Gardner (Mrs. Warren’s Profession); Duncan (Macbeth); and Judge Randolph (A Few Good Men). Film roles include Performance; Off Hour; and The Devil’s Dolls. TV roles include Law and Order: SVU and The Onion News Network.  Alan is a founding member of the Bedlam Theatre Company.  He is a proud member of AEA and SAG-AFTRA.  Website: www.alanaltschuler.com.

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Shirine Babb

Shirine Babb has Broadway credits that include Macbeth with Ethan Hawke (Lincoln Center Theater), and Harry Potter and the Cursed Child (Tony Award for Best Play 2018 OBC). Her Off Broadway credits include Napoli, BrooklynAround the World in 80 Days (New Theater at 45th Street), Aliens with Extraordinary Skills (Women’s Project), A Role Once Played (29th Street Repertory Theater, AUDELCO Award nomination), and Single Black Female (Duke on 42nd Street). Other credits include School Girls; or, The African Mean Girls Play (Round House Theatre), Steven Dietz’s This Random World (Actor’s Theatre Humana Festival), the title role in Antony & Cleopatra (Shakespeare Festival St. Louis, 2015  Theatre Critic Circle nomination), The Merchant of Venice with Sir Derek Jacobi (The Strathmore) and Measure & Dido with Sir Derek Jacobi (The Kennedy Center and Napa Shakespeare), Julius Caesar (Folger Theatre), Widows (Arcola Theatre, London), and Disgraced (Long Wharf Theatre 2015 Critic Circle Best Feature nomination). She was also seen in the 2010 and 2011 seasons at The Old Globe Shakespeare Festival. Her television credits include “Iron Fist,” “I Love You… But I Lied,” “Blue Bloods,” and “Madam Secretary.” Ms. Babb holds an MA from East 15 Acting Conservatory, London, and an MFA from the University of San Diego/The Old Globe.

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Rajesh Bose

Rajesh is thrilled to be returning to Bedlam after playing Alfred Doolittle in last years production of Off-Broadway and Regional Favorites: Henry VI (NAATCO), Pygmalion (Bedlam), Against The Hillside (Ensemble Studio Theatre), Indian Ink (Roundabout), Oslo (St. Louis Rep), Mary Stuart (Folger Theatre), Guards at the Taj (Capital Stage), Disgraced (Playmakers Rep, Huntington Theatre, Long Wharf Theatre – Connecticut Critics Circle Award, IRNE Nomination), The Who & The What (Gulfshore Playhouse), and The Invisible Hand (Westport Country Playhouse, Hartford TheaterWorks). Film & Television: “Quantico”, “Blue Bloods”, “Elementary”, “Damages”, “Nurse Jackie”, “Madame Secretary”, “The Good Wife”, “Law & Order: SVU”, “Criminal Minds”, the series finale of “The Sopranos”, and the Acadamy Award nominated film Frozen River.

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Truett Felt

Truett Felt is a NYC based actor and singer. New York: Matthew Amendt’s The Comedian’s Tragedy (Access Theater), Victory Train (NYMF), F8 or Down with Chads (PlayGround). Regional: Beauty and the Beast, Off the Rails (Oregon Shakespeare Festival), The Bottle Tree (Z Below), The Comedy of Errors (Craterian Theater). Truett is originally from Portland, Oregon. She graduated with a BFA in acting from Southern Oregon University.

New York Headshots

Caroline Grogan

Caroline Grogan is thrilled to be making her Bedlam debut. She was most recently seen in Mona Mansour’s Beginning Days of True Jubilation, directed by Scott Illingworth, Chuck Mee’s JESUS (13th Street Rep), and Polaroid Stories (Tisch Stage Works). Caroline is also a puppeteer for Puppetsburg, a teaching artist for the arts nonprofit, Zara Aina, and a recent graduate from NYU’s Tisch School of the Arts.  www.caroline-grogan.com

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Paul Lazar

Paul Lazar is a founding member, along with Annie-B Parson, of Big Dance Theater. He has co-directed and acted in works for Big Dance since 1991, including commissions from the Brooklyn Academy of Music, the Walker Art Center, Dance Theater Workshop, Classic Stage Company and Japan Society. Paul’s one person performance, Cage Shuffle, premiered at the American Realness Festival in 2017 and continues to tour the U.S. and Europe. www.cageshuffle.com

Paul directed Christina Masciotti’s Social Security at the Bushwick Starr in 2015, Elephant Room at St. Ann’s Warehouse for the company Rainpan 43 in 2012, and Young Jean Lee’s Obie Award winning, We’re Gonna Die in 2011. He directed a new version of We’re Gonna Die in 2015, featuring David Byrne, at the Meltdown Festival in London. He also directed Bodycast: An Artist Lecture by Suzanne Bocanegra starring Frances McDormand for the 2014 BAM Next Wave Festival; and Major Bang for The Foundry Theatre at St. Ann’s Warehouse. Paul has acted in over 40 feature films, including SnowpiercerThe HostMickey Blue EyesSilence of the LambsBelovedLorenzo’s Oil and Philadelphia. Paul has performed with The Wooster Group, acting in Brace Up!Emperor JonesNorth Atlantic and The Hairy Ape. Other stage acting credits include Tamburlaine at Theatre For A New Audience, Young Jean Lee’s LearThe Three Sisters at Classic Stage Company, Richard Maxwell’s Cowboys and Indians at Soho Rep, Richard III at Classic Stage Company, Svejk at Theatre for a New Audience, Irene Fornes’ Mud at the Signature Theater, and Mac Wellman’s 1965 UU.

Awards include two Bessies (2010, 2002), the Jacob’s Pillow Creativity Award in 2007, and the Prelude Festival’s Frankie Award in 2014, as well an Obie Award for Big Dance in 2000. Paul currently teaches at New York University. He taught in the Theatre, Dance and Media Department at Harvard University (Spring 2018). He has also taught at Yale, Rutgers, Barnard, The William Esper Studio and The Michael Howard Studio.

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Susannah Millonzi

Bedlam: Uncle Romeo Vanya Juliet, New York Animals (WSJ Performance of the Year 2015), Dead Dog Park, Twelfth Night(s) (also at Central Square Theater); Classic Stage Company: Prometheus Bound (David Oyelowo); David Neumann/Advanced Beginner Group: tough, the tough, 21st Annual Bessie Awards; Clubbed Thumb: Pageant; Hudson Valley Shakespeare Festival: Othello, Two Gentlemen of Verona, A Midsummer Night’s Dream, The Arabian Nights, The Winter’s Tale; Shakespeare & Company: Romeo and Juliet, King John, As You Like It, Comedy of Errors; Seattle Shakespeare Company: Twelfth Night, Electra (Footlight Award: Best Actor); Georgia Shakespeare Festival: Julius Caesar, As You Like It, The Merchant of Venice, All’s Well that Ends Well; Orlando Shakespeare Company: As You Like It; Elm Shakespeare: The Three Musketeers; Boston Theatre Works: The Tempest. Choreographer for Bedlam, Hudson Valley Shakespeare Festival, Orlando Shakespeare Company, Georgia Shakespeare Festival, Milwaukee Repertory Theatre, Esperance. B.A. Barnard College. For my daughters.


Arash Mokhtar

Off-Broadway: The Crucible, The Connelly Theater; Hamlet, The Sheen Center Regional (selected): 2019 Humana Festival of New American Plays, Actor’s Theatre of Louisville, The Corpse Washer (by Naomi Wallace & Ismail Khalidi); The Humans, Pittsburgh Public Theatre; Disgraced, Coachella Valley Rep (nom. Best Lead Actor in a Drama, Desert Star Awards, CA.); Sinners, (dir. Brian Cox), Mirror Rep; Family Shots, Human Race Theatre Co., Kiss of the Spider Woman, Richmond Triangle Players. Film: Day 39 (Finalist, 42nd Annual Student Academy Awards, 2015); Benji the Dove; Black Site Delta; Chosen (opposite Cathy Moriarty); Best Man in the Dark TV: “Ramy”, “The Blacklist”, “Instinct”, “Madam Secretary”, “Forever”, “Unbreakable Kimmy Schmidt”, “Elementary”, “Believe”, “Zero Hour”, “Person of Interest”, among others. Add’l. Credits: NY: Rhinoceros, Richard III, Coriolanus, Broadway Bound, The Servant of Two Masters, An Ideal Husband, Killer Joe, Closer, and Hurlyburly. www.arashmokhtar.com

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Ryan Quinn

With Bedlam:  The Crucible (Central Square Theater), Sense and Sensibility (A.R.T.) & (Portland Center Stage), and Dead Dog Park (59E59 Theaters).  Off-Broadway: Whorl Inside a Loop (Second Stage); The Killer, King Lear, Hamlet, and Antony and Cleopatra (Theater for a New Audience); Vanity Fair (Pearl Theatre Company). Select regional: Yellowman (Milwaukee Repertory Theater); Hamlet and The Two Gentlemen of Verona (The Old Globe Theatre); The King Stag (Yale Repertory Theatre); Pride and Prejudice (Dorset Theatre Festival); and eight seasons with The Hudson Valley Shakespeare Festival. TV/Film: Blindspot, Madam Secretary, The Blacklist: Redemption, Person of Interest, Friends from College, and Ovum.  Ryan is the artistic director of Esperance Theater Company (esperancetheatercompany.org).  M.F.A:  Yale School of Drama.  For Dad who taught how me to tell stories, and for Zoë, who loves to hear them.

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Randolph Curtis Rand

Randolph Curtis Rand is a theatre artist, working in design, directing, teaching, and performance. He has appeared with many artists throughout the country, and abroad, including: Bedlam, Burning Coal Theatre (NC), Joseph Chaikin, Compagnia de’ Colombari, Elevator Repair Service, Richard Foreman, The Foundry,  Meredith Monk, Not Man Apart (CA)  Pig Iron Theatre, The Rude Mechs, The Talking Band, Target- Margin, and The Wooster Group to name a few…AND in many institutions like, Actors Theatre of Louisville, The Adelaide Festival, Carnegie Hall, The Cockpit (UK), The Duke Ellington School of the Arts, The Public Theatres (New York, Cleveland, and Pittsburgh), The Kitchen, La Mama, Lincoln Center, The Meltdown Festival (UK), Naropa University, NYU Tisch School of the Arts (Graduate Acting School and Undergraduate Theatre),  On the Boards, The Orlando Shakespeare Theatre, P.S. 122, UCLA, University of the Arts, The Walker and The Wexner, among many others.

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Zuzanna Szadkowski

Zuzanna Szadkowski played Dorota in the CW’s Gossip Girl.” She was Nurse Pell on the Cinemax series from Steven Soderbergh, “The Knick.” Other television credits include “Search Party,” “The Good Wife,” “Elementary,” “Girls,” “Guiding Light” and “The Sopranos.” Theatre credits include Uncle Romeo Vanya Juliet (WSJ Performance of the Year 2018)  and Peter Pan with Bedlam; queens at LCT3; The Comedy of Errors as part of The Public Theater’s Mobile Shakespeare Unit; King Philip’s Head… with Clubbed Thumb; Love, Loss and What I Wore on Off-Broadway; The 39 Steps at Actors Theatre of Louisville; and The Merry Wives of Windsor at Two River Theater. MFA from the A.R.T. Institute at Harvard.

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Shaun Taylor-Corbett

Shaun starred in the original production of In the Heights on Broadway and closed the show in the role of Sonny. Inspired by roles from great musicals from his past, including his stint as Frankie Valli in the 2nd National Tour of Jersey Boys, Juan in Altar Boyz Off-Broadway, and Usnavi and Sonny from In the Heights, he and his mother decided to make a musical for Native people. Distant Thunder will receive its first production in 2020 at the Lyric Theatre in Oklahoma City, running from March 25th to April 19th. Three seasons at the Oregon Shakespeare Festival: As You Like It, Oliver; Between Two Knees (World Premiere, 1491s); Henry V, Nym/Cambridge/Bates; Love’s Labour’s Lost, Moth; Off the Rails/Measure for Measure, Momaday/Claudio; Beauty and the Beast (dir. Eric Tucker). LA Theater: Romeo and Juliet, Romeo (Theatricum Botanicum); Vieux Carre, Tye (Coeurage Theatre); Ubu Roi, Boggerlas, Arcadia, Septimus Hodge (A Noise Within). TV/Film: Hi-5, “Discovery Kids,” “Supremacy,” “Gamer’s Guide,” “All My Children.”

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John Terry

John Terry is proud to be a part of this wonderful production in his Bedlam debut. John was most recently seen in Marietta’s Theatre in the Square’s production of Clybourne Park as Russ and Dan. He also appeared in the award wiinning The Asylum of Dr. Moreau at The Orlando Fringe Festival, a piece which he also helped devise. Other notable roles include Macbeth, Titus Andronicus, Ben in Detroit, and his personal favorite Dr. Frank N. Furter. John is also a teacher. For the past year, he has lectured at the University of Georgia. Many thanks to Eric Tucker, his many friends and family members who continually support him, and Carianne. You can find more information at www.johnfaroterry.com

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Eric Tucker

Wall Street Journal DIRECTOR OF THE YEAR 2014. Off Broadway: Uncle Romeo Vanya Juliet; Pygmalion; Peter Pan; Vanity Fair; Bedlam’s Sense and Sensibility (Off Broadway Alliance Award, Lortel nom, Best Director, Drama League nom, Best Revival, 4 Helen Hayes awards including Best Director and Best Production); A Midsummer Night’s Dream (Drama League nom Best Revival, WSJ Best Classical Production 2015); Bedlam’s Saint Joan (NY Times/Time Magazine top 10; Off Broadway Alliance Best Revival 2014); Bedlam’s Hamlet (NY Times top 10); Tina Packer’s Women of Will; New York Animals (World Premiere by Steven Sater/Burt Bacharach), Twelfth Night and What You Will (NYTCritics Picks); The Seagull (WSJ Best Classical Production 2014). Other: Caesar and Cleopatra (ASC); The Rivals (BRT); The Merry Wives of Windsor (Two River), Disney’s Beauty & The Beast (OSF); Pericles (APT, WSJ Best Classical Production 2017); Copenhagen (Central Square Theatre), The Two Gentlemen of Verona (HVSF), Mate (The Actors’ Gang). Eric resides in New York City where he is Artistic Director of Bedlam.




The Connelly Theater

New York, NY
November 8th–December 29th, 2019

Central Square Theater

Boston, MA
September 12–October 13, 2019