ERIC TUCKER (Director)
Wall Street Journal DIRECTOR OF THE YEAR 2014. Off Broadway: Peter Pan (Bedlam, Duke on 42nd); Vanity Fair (The Pearl); Bedlam’s Sense & Sensibility (Off Broadway Alliance Award; Lortel nomination, Best Director; Drama League nomination, Best Revival); A Midsummer Night’s Dream (Drama League nomination Best Revival; WSJ Best Classical Production 2015; NY Times Critics Pick); Bedlam’s Saint Joan (NY Times/Time Magazine top 10; Off Broadway Alliance Best Revival 2014); Bedlam’s Hamlet (NY Times top 10; Time Out NY and Backstage Critics’ Pick); Tina Packer’s Women of Will. For Bedlam: Sense & Sensibility A.R.T.; Hamlet/Saint Joan McCarter Theater; Central Square Theater (Elliott Norton Outstanding Visiting Production/Outstanding Ensemble, Boston Globe Top Ten); Dead Dog Park, New York Animals (World Premiere by Steven Sater/Burt Bacharach), Twelfth Night and What You Will (NY Times Critics’ Picks); The Seagull (WSJ Best Classical Production 2014). Other: The Merry Wives of Windsor (Two River); Disney’s Beauty & The Beast (OSF); Pericles (APT, WSJ Best Classical Production 2017); Sense & Sensibility (The Folger Theater, 4 Helen Hayes awards including Best Director and Best Production); Copenhagen (Central Square Theatre); A Midsummer Night’s Dream, The Two Gentlemen of Verona (HVSF), Mate (The Actors’ Gang). Eric received his M.F.A. from the Trinity Rep Conservatory. He resides in New York City where he is Artistic Director of Bedlam.
JOHN McDERMOTT (Scenic Design)
Recent designs include Pride and Prejudice at The Cherry Lane Theater and Sense & Sensibility at A.R.T. in Cambridge, My Brilliant Divorce at The New Ohio, Ms. Estrada, a new hip hop musical by the Q Brothers based on Lysistrata, at The Flea and Peter Pan at The Duke. Upcoming: Zurich with Colt Coeur Company at NYTW and The Creditors at Shakespeare and Company. Associate Professor at Adelphi University.
LES DICKERT (Lighting Design)
Designs for a diverse range of contemporary and classical theatre, dance and international performance art. Previously with Bedlam: Sense & Sensibility, The Seagull, New York Animals, What You Will, Twelfth Night, Cry Havoc. New York: Isaac’s Eye, Photograph51, Card and Gift, This is Fiction, Perdita, Intimate Apparel, Seven Guitars, Julius Caesar, others. Dance: White Oak Dance Project; San Francisco, Boston, Miami, Tulsa, San Diego, Orlando and Joffrey Ballets. International: Le Louvre; Centre Pompidou; La Scala; and the National Ballets of England, Denmark, Australia, Belgium, Canada and Russia. Awards: Mahindra, Ovation, multiple Hewes nominations. MFA: Yale School of Drama.
CHARLOTTE PALMER-LANE (Costume Design)
For Bedlam: Peter Pan. Other Recent credits: Twelfth Night, Romeo and Juliet, Hamlet, King Lear, Three Musketeers, The Liar, Othello, The Winter’s Tale, An Iliad, As You Like It, Our Town, The General from America (Hudson Valley Shakespeare Festival); Blithe Spirit (Pennsylvania Shakespeare); Rutherford and Son (Mint Theater); Drop Dead Perfect, My name is Asher Lev (Penguin Rep); Family Reunion, Other Desert Cities, You will Remember Me (Hudson Stage Co.); Camping with Henry and Tom (Barrington Stage Company); God of Carnage (Shakespeare & Co.); As You Like It (Folger Shakespeare Library). Film and TV: BBC, “Doctor Who,” “Agatha Christie’s Marple,” Guarding Tess, Quiz Show, “Sneaky Pete.” United Scenic Artists 829. charlottepalmerlane.squarespace.com
DIANE HEALY (Production Stage Manager)
Bedlam: Saint Joan, Hamlet, Twelfth Night/What You Will, Sense & Sensibility. New York: The Father, A Doll’s House (Theatre for a New Audience); Imagining the Imaginary Invalid (Mabou Mines); Perfect Arrangement (Primary Stages); Hit The Wall, Tribes (Barrow Street Theatre); The Playwrights Realm; Atlantic Theatre Co.; LCT3; SoHo Playhouse; Keen Co; La MaMa E.T.C.; The Civilians; Ensemble Studio Theatre. Regional: McCarter Theatre, Folger Theatre, Shakespeare & Co., Oldcastle Theatre Company. Other: dance and theatre at Bard College, Green Mountain College, East Tennessee State University and St. Andrew’s University.